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dc.contributor.author |
زمالي, نسيمة |
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dc.contributor.author |
بوطاجين, السعيد |
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dc.date.accessioned |
2022-05-23T10:39:21Z |
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dc.date.available |
2022-05-23T10:39:21Z |
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dc.date.issued |
2007-05-07 |
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dc.identifier.uri |
http://depot.umc.edu.dz/handle/123456789/3093 |
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dc.description.abstract |
The personality is considered as an important mean for the novelist to
embody his vision and to express his feelings about reality. For this, it is defined
as : « novel is personality ».The hero or the center character highlights the
writer’s piont of view and his embedied mental vision towards his dynamic life
and its interactions. Since human issues have become the center of any literary
work especially the storical one. The writer deos not explore his ideas arbitarary,
he always refers to social reality and its dynamic surrounding through which
they move. If it was not, it would be meaningless and aimless.
Prose was not satisfactory for the novelist to draw the image of the hero
and the other various characters .They also refer to poetry to do so .In modern
era, when the Arabian world faced both external and internal problems , the
poets have become more responsible with those issues.to treat and find solutions
to those problems , they used poetry with new form which is « poetic story » to
shorten the distance.But the way of how to draw the image of the hero was so
complex and has many tends.So, they refer to various resources to draw its
image.they treated the both sides of typicality and uniqueness.
For this, our study is done to deal with the image of the hero in the poetic
story between typicality and uniqueness.In the introduction we have asked the
question that concerns our issue.We have also identified the story and its
tends.Then, we have dealt with the steps of the hero’s evolution from the image
legendary to the modern model.After that, we have mentioned the different
types of characters.
In the first part, we have dealt with the hero in modern realistic and poetic
story with its tends (historical, emotional, national, and social ones). We did this
by extracting its artistic elements of the story and by clarifying the sides of
typicality and uniqueness of the hero.
In the second part, we have much more concentrated on the artistic sides
of the story. We have worked to extract the typicality and the uniqueness of the
hero in all the imaginary stories in which we have named the hero with « The
value ». We have named it so to prove an idea, or to defend on principle, or to
firm a value.At the end, we have done the conclusion in which we have
restricted the major results that we have obtained in our study. |
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dc.language.iso |
ar |
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dc.publisher |
Université Frères Mentouri - Constantine 1 |
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dc.subject |
البطل |
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dc.subject |
الشعر |
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dc.subject |
القصة الشعرية العربية |
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dc.subject |
النمطية |
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dc.subject |
التفرد |
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dc.subject |
العصر الحديث |
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dc.title |
صورة البطل في القصة الشعرية العربية بين النمطية و التفرد |
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dc.title.alternative |
L’image du héros dans le roman versifié entre modélisation et singularité |
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dc.type |
Thesis |
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