شعرية العتبات في النص الشعري الجزائري المعاصر

Abstract

Paratexts is semiotic signs opened to the critical and semiotic analysis because of their ownership of discreet and clear authority at the same time as they practice on the text and the reader (all the generally brief Texts) Paratexts is a pact of reading a visual poetry which uses the Texts to build the meaning of the literary work. The paratext is all which by –passes the text and makes of this text a book presented particularly to the readers in a general way in the general public. The object of this study is to show how to use the poetics of thresholds in the contemporary Algerian poetry to answer this question we decided to divide the subject of the thesis (theory) into several stages: 1) First stage :the main idea proposed by this stage is to give definitions and precise concepts to the terms : (paratext- text and poetics) besides approaching the reception of the term paratext in the contemporary Arabic criticism. In the third chapter , the study appreciates ( estimates) the various types of paratext ( peritext ,epitext). 2) The second stage: The study concerns the strategy of the paratexte , the main title ,the Intertitles ,the Original preface .we looked for to approach the titles in contemporary Algerian poetry .to analyze the relation between the title and the text ,and to demonstrate the capacity of the title on creation of the poetic interest. 3) The Third stage: our study concentrates on the préfaciel speech and the manifestoes proposed in the Algerian poetics. 4) The Fourth stage: the study works on paratextes and the poetics interns in the Algerian poems (epigraphs, dedications, notes(marks)) 5) The fifth stage: the study concerns the approach to the textual space and the visual space, calligraphic cover and the units (colors, images, generic indications …). 6) Last stage: at the end of this study, we established(constituted) a number of results(profits).