.تداخل الأنواع الأدبية والفنية في الكتابة الشعرية الجزائرية المعاصرة
خرفي, محمد الصالح
MetadataShow full item record
Poetry is one of the most popular arts for the employment of other types of art as it enters into relationships with what is close to or away from the artistic and literary types borrowed from the various tools and techniques in response to the requirements of aesthetic estrangement that works in order to promote its energies. hence came the study entitled the overlap of literary and artistic types in the writing of contemporary Algerian poetry which breed to follow the phenomenon of overlapping poetry with different types of artistic and literary and then reveal the extent of to which it benefits the modern Algerian poetry in the constructions of various artistic formations in writing and reserving the poem . In order to reveal the fact of the quabtating ouerlap we chose the product of twenty one poems of ten poets. These writings embody models of the interplay of poetry with the four arts, formation arts, theatrical arts, cinematic arts and the narrative art, whereas the presence of on art in another ome is a technical presence of a technique or a number of technique in its structural composition have been based on the raw backgrounds of each art from its means, patterns and characteristics of the original quality to reveal the impact of eache of these arts in poetry. In order to deepen the awareness of the poetic experiences , dealing with the artistic flutter in the creation of contomporary algerien poetic text,and to show /revealing the impact that is caused by the interfere in the produce of high poetic intrpretation we have adapted a plan that consists of five chapters in the first chapter,the study sought to understand the theories of artistic types and literary types.in this chapter we dealt the problems, concepts, standards and distinguishing features through examining the critical Arabic and western blog. The old and the recent one withe its density .this chapter tries to explore its pratical chapters through examining,descrubing, analyzing and interpreting the issue of the overlap of literary, artistic, formative, play, cinematic and narrative within the modern algerian poetry. Accordingly, the secend chapter wich is marcked by the overlap of poetry with the plastic art to combine the culture of word with its oral communication and the culture of image through its visual communication through tesctual composition and image formatoion in the search code .in the thired chapter which is marked by the interplay of poetry with dramatic art and the art of play we distinguished between the dual text/and the presentation with their different instruments and their multiple forms of dialogue, conflict and sinography. The fourth chapter deals with the interplay of poetry with cinematic art in the technical aspect of the camera in the contemporary algerian poetic literature through the inspiration of the technique of chips and montage as applied in the art of cinema .the last chapter escamines the interaction of poetry withe narrative art in the position of the narrator and the perspective from which his vision is determined for the event which narrates as it shours the features and other narrative elements that have constructive role in promoting poetic writing which are the characters, time, place, the event, the narratine time and the nature of the language used in completing the narration program of the poetic text. Through these main aces, the research sought to deepen the awareness of the poetic experience by revealing the tricks of the artistic speries with their elements, patterns and different types within the proetic text, which is esctented in vitality to absorb them in search of renewable artiste energies that can eXpress their energies more dynamically without losing poetic art.