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dc.contributor.authorزمالي, نسيمة
dc.contributor.authorبوطاجين, السعيد
dc.date.accessioned2017-09-26T08:43:38Z
dc.date.available2017-09-26T08:43:38Z
dc.date.issued2017-05-07
dc.identifier.urihttp://hdl.handle.net/123456789/136021
dc.description.abstractThe personality is considered as an important mean for the novelist to embody his vision and to express his feelings about reality. For this, it is defined as : « novel is personality ».The hero or the center character highlights the writer’s piont of view and his embedied mental vision towards his dynamic life and its interactions. Since human issues have become the center of any literary work especially the storical one. The writer deos not explore his ideas arbitarary, he always refers to social reality and its dynamic surrounding through which they move. If it was not, it would be meaningless and aimless. Prose was not satisfactory for the novelist to draw the image of the hero and the other various characters .They also refer to poetry to do so .In modern era, when the Arabian world faced both external and internal problems , the poets have become more responsible with those issues.to treat and find solutions to those problems , they used poetry with new form which is « poetic story » to shorten the distance.But the way of how to draw the image of the hero was so complex and has many tends.So, they refer to various resources to draw its image.they treated the both sides of typicality and uniqueness. For this, our study is done to deal with the image of the hero in the poetic story between typicality and uniqueness.In the introduction we have asked the question that concerns our issue.We have also identified the story and its tends.Then, we have dealt with the steps of the hero’s evolution from the image legendary to the modern model.After that, we have mentioned the different types of characters. In the first part, we have dealt with the hero in modern realistic and poetic story with its tends (historical, emotional, national, and social ones). We did this by extracting its artistic elements of the story and by clarifying the sides of typicality and uniqueness of the hero. In the second part, we have much more concentrated on the artistic sides of the story. We have worked to extract the typicality and the uniqueness of the hero in all the imaginary stories in which we have named the hero with « The value ». We have named it so to prove an idea, or to defend on principle, or to firm a value.At the end, we have done the conclusion in which we have restricted the major results that we have obtained in our study.fr_FR
dc.language.isoarfr_FR
dc.publisherجامعة الإخوة منتوري قسنطينةfr_FR
dc.subjectالبطلfr_FR
dc.subjectالشعرfr_FR
dc.subjectالقصة الشعرية العربيةfr_FR
dc.subjectالنمطيةfr_FR
dc.subjectالتفردfr_FR
dc.subjectالعصر الحديثfr_FR
dc.titleصورة البطل في القصة الشعرية العربية بين النمطية و التفردfr_FR
dc.title.alternativeL’image du héros dans le roman versifié entre modélisation et singularitéfr_FR
dc.typeThesisfr_FR


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