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dc.contributor.authorبن سويكي, يمينة
dc.contributor.authorقديد, دياب
dc.date.accessioned2017-09-12T11:28:32Z
dc.date.available2017-09-12T11:28:32Z
dc.date.issued2017-07-06
dc.identifier.urihttp://hdl.handle.net/123456789/135960
dc.description.abstractThe romantic feminine writings are considered as a rich domain of critics at critics and searchers who having interst to the existence of the woman writer romancer cultured and conscious about subjects of her being, her country, her nationalism and her humanty. Knowing thet the word of narration is the nearest is to the specificity of the femining recount and the interest thet she gives to details characterizing woman from man, hence its is normal that the woman is good in the roman writng considering thet she is the literary from thet corresponds to her feminine character. The choice of the study was fixed on the works of « Ahlem MOSTHAGHANMI » on the plan of ‘criticizing the critc ‘ because the writer has constituted a critical phenomenon at critics. The number of studies that have interest to her works are uncountable comparing with other writers ; women or men. Taking the method of criticizing the critic as reference, it is preferable to stop at the most important critical subjects forming the debate between searchers for who tendencies and theories diverse.fr_FR
dc.language.isoarfr_FR
dc.publisherجامعة الإخوة منتوري قسنطينةfr_FR
dc.subjectالكتابة الإبداعية النسويةfr_FR
dc.subjectالرواية النسويةfr_FR
dc.subjectأحلام مستغانميfr_FR
dc.subjectمنهج نقد النقدfr_FR
dc.subjectl’écriture fémininefr_FR
dc.subjectl'écriture romantique fémininefr_FR
dc.subjectAhlem Mosthaghanmiefr_FR
dc.subjectcritiquer la critiquefr_FR
dc.subjectthe feminine writtingsfr_FR
dc.subjectthe romantic feminefr_FR
dc.subjectcriticizing the critcfr_FR
dc.titleالكتابة الإبداعية النسوية في الخطاب النقدي العربي المعاصرfr_FR
dc.typeThesisfr_FR


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